AboutPianist Robert Levin has been heard throughout the United States, Europe, Australia, and in Asia, in recital, as soloist, and in chamber concerts. His solo engagements include the orchestras of Atlanta, Berlin, Birmingham, Boston, Chicago, Cleveland, Detroit, Los Angeles, Monreal, Utah and Vienna on the Steinway with such conductors as James Conlon, Bernard Haitink, Sir Neville Marriner, Seiji Ozawa, Sir Simon Rattle and Joseph Silverstein. On period pianos he has appeared with the Academy of Ancient Music, the English Baroque Soloists, the Handel & Haydn Society, the London Classical Players, the Orchestra of the Age of Enlightenment and the Orchestre Révolutionnaire et Romantique, with Christopher Hogwood, Sir Charles Mackerras, Nicholas McGegan, Sir Roger Norrington, and Sir John Eliot Gardiner. He has perormed frequently at such festivals as Sarasota, Tanglewood, Ravinia, Bremen, Lockenhaus, and the Mozartwoche in Salzburg. As a chamber musician he has long associations with violist Kim Kashkashian and the New York Philomusica. After more than a quarter century as an artist faculty member at the Sarasota Music Festival he was made Associate Artistic Director in 2004 and will succeed Paul Wolfe as Artistic Director in 2007. Robert Levin is renowned for his restoration of the Classical period practice of improvised embellishments and cadenzas; his Mozart and Beethoven performances have been hailed for their active mastery of the Classical musical language. He has made recordings for DG Archiv, CRI, Decca/OiseauLyre, Deutsche Grammophon Yellow Label, ECM, New York Philomusica, Nonesuch, Philips, and SONY Classical. He has recorded the complete Bach concertos with Helmuth Rilling as well as the English Suites and the Well-Tempered Clavier (on five keyboard instruments) for Hänssler’s 172-CD Edition Bachakademie. Other recordings include a Beethoven concerto cycle with Sir John Eliot Gardiner and the Orchestre Révolutionnaire et Romanique for Archiv, and a Mozart concerto cycle with Christopher Hogwood and the Academy of Ancient Music for Decca/OiseauLyre. Robert Levin studied piano with Louis Martin and composition with Stefan Wolpe in New York. He worked with Nadia Boulanger in Fontainebleau and Paris while still in high school, afterwards attending Harvard. Upon graduation he was invited by Rudolf Serkin to head the theory department of the Curtis Institute of Music, a post he left after five years to take up a professorship at the School of the Arts, SUNY Purchase, outside of New York City. In 1979 he was Resident Director of the Conservatoire américain in Fontainebleau, France, at the request of Nadia Boulanger, and taught there from 1979 to 1983. From 1986 to 1993 he was professor of piano at the Staatliche Hochschule für Musik in Freiburg im Breisgau, Germany. President of the International Johann Sebastian Bach Competition and a member of the American Academy of Arts and Sciences, he is Dwight P. Robinson, Jr. Professor of the Humanities at Harvard University. In addition to his performing activities, Robert Levin is a noted theorist and Mozart scholar, and is the author of a number of articles and essays on Mozart. A member of the Akademie für Mozartforschung, his completions of Mozart fragments are published by Bärenreiter, Breitkopf & Härtel, Carus, and Peters, and have been recorded and performed throughout the world. Levin’s cadenzas to the Mozart violin concertos have been recorded by Gidon Kremer with Nikolaus Harnoncourt and the Vienna Philharmonic for Deutsche Grammophon and published by Universal-Edition. Henle has issued his cadenzas to the flute, flute and harp, oboe and horn concertos and to the Beethoven violin concerto. His reconstruction of the Symphonie concertante in E-flat major for four winds and orchestra, K.297B, was premièred by the Vienna Philhar¬mo¬¬nic Orches¬tra at the Mozartwoche in Salzburg, and has subse¬quent¬¬ly been performed world-wide. The first of the four recordings of the work, by Philips, won the 1985 Grand Prix Interna¬tional du Disque. In August 1991 Robert Levin’s completion of the Mozart Requiem was premièred by Hel¬muth Rilling at the European Music Festival in Stuttgart, Germany, to a standing ovation. It has been performed world-wide and recorded numerous times. His completion of the Mozart Mass in C minor, K. 427,commissioned by Carnegie Hall, was premiered by Rilling in New York in January 2005 and in Europe two months later. Both works are published by Carus-Verlag. |
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Robert Levin
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Robert Levin Discography (1title)
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